Route 43

Route 43:  MTR Tsuen Wan West Station -- Cheung Hong

Location:  Tsuen Wan, Kwai Chung and Tsing Yi
Length of Journey:  5.6 miles, 41 minutes

In 2015 I took the 32 bus near my birthday, imitating the English blogger Diamond Geezer.   In every year after that, I still had that in mind, but laziness and some routes' remoteness (KMB not opening some of the route numbers in between, so I would have to go to rural Yuen Long for my 33rd, 35th and 39th birthday, for example) means I only did this again 11 years later, and over a month after my proper birthday.  Admittedly it's easier to achieve the feat when one of the route's termini is in walkable distance from home.

When I arrived at Tsuen Wan West Station I had to look up for the stop from which the bus departed, and I reached the bus just as it opened up for boarding.  To my surprise, I'm not the only one wanting to get the upper front seat despite the relatively small number of people on board -- the lower-than-expected passenger count is due to the bus in a relatively frequent period, not actually a fall of passengers.

The lady on the other side of the front was apparently unwell with her frequent coughs, a contrast to the fine sunny weather of the day.  Ridership steadily increased as the bus pulled through Tsuen Wan's old high street -- Sha Tsui Road, but remarkedly the easternmost stop on that road yielded no new customers, implying a decline of activity of that particular area.

The bus started to climb the plateau between Tsuen Wan and Kwai Chung, arguably the main source of patrons now.  The talking and coughing lady alighted before the bus sneaked into the claustrophobic Kwai Chung Estate bus station, although I believe local must be happy to access their local bus without having to bear the weather.

Instead of taking the direct route to Kwai Fong, the bus made a small detour of the local industrial area without stopping, before descending to the base of the inclined elevator between the east side of the plateau and Kwai Hing Estate below.  The next stop, which serves Kwai Hing Estate, was slightly eventful when an elderly man exited a taxi blocking our way, only to have another elderly lady approaching the taxi as its next customer, doubling our wait of pulling into the bus bay ahead -- the taxi not willing to risk the law since the bus bay was obviously exclusive to buses.

I have always expected the trip to be slow due to the road through the plateau being twisty and densely populated, but I was still surprised that the bus basically whizzed its way after traversing it, and arrived at its other terminus at the central of Tsing Yi Island, spending roughly the same time on the plateau as well as after it -- the length after the plateau around twice as long as the part on it.

Another point of interest is that the route is apparently known to non-locals, with an African taking this bus to the hotel he's staying near the first stop on Tsing Yi Island.  Considering this to be a very local bus, one has to wonder the power of information technology and mobile apps these days.

Once the primary bus between Tsing Yi Island and Tsuen Wan, the 43 clearly got relegated as it's apparently empty on the island.  Most patrons seemed to prefer services over the newer bridge which lands them onto Tsuen Wan directly.  That doesn't change the fact that it's still one of the more frequent services and when I alight at Cheung Hong, there seemed to be more buses than people.

比起廢話，為虎作倀更應被罰

 原文網址： https://hkitalk.net/HKiTalk2/forum.php?mod=redirect&goto=findpost&ptid=2302194&pid=5467043

回應鄭立《在消失之前備份你在社群媒體的回憶》一文

（原文連結： https://www.patreon.com/posts/she-hui-guan-ce-98503492）

鄭立這篇文章的論點是建基於一個假設：「我自己所貼的東西因為各種原因而在我主動刪除以外的情況下被刪除，是不好的事」。我認為這個假設是錯誤的。我認為，「言論自由」只是保障「我可以在任何媒介發表言論或其他內容」，以及「除非該言論對其他人士構成實際傷害，否則沒有人可以因為我的言論威脅我的人身安全」而已，但並不包括「我在平臺發表的言論需要永續存在」──要其他人為我保存我所發表的言論，並不是理所當然的。

任何平台，受眾再多、覆蓋再廣，終究也只是以前的報紙、電視臺而已。管理這些平臺的人的權力，也就只局限於這些平臺本身而已。人類的慣性誠然存在，但你挑戰這個慣性失敗，也就只是你失敗而已，並不代表這個慣性不可戰勝。至少你的失敗不能解釋抖音或者其他某些平臺（如 Patreon、Medium）的成功。

另外，鄭立似乎忽視了「被遺忘」也是一種權利。

反之，自己備份重要的東西，包括自己的言論、內容，是對自己的基本義務。人工智能刪帖，只是一個提醒我需要履行這個義務的現象而已，並不代表我的言論自由遭到剝削。

撥開雲霧見青天？

其實有無人諗過，當判詞入面講得出「數量之多板主已無法一一列出」，即係代表板務長期失職？嗰條冚家剷足足喺個網「也文也武」咗接近６年，期間仲有幾個站友因為聲討佢而被停板，請問板方而家有咩資格獲得掌聲？

喺下面評分讚好嗰啲人，一句講哂：中國人（i.e. 順民）

I Like Trucking -- A Risqué Song with Hidden Depths

Recently heard another song which was around before I was born. It's from a British comedy show Not the Nine O'Clock News, possibly famous for being Rowan Atkinson's first hit (Mr. Bean was his third, while the second being Blackadder).

A video could be found here:

The lyrics and the video at around 1:00 clearly shows how risqué it is – basically it depicts truckers as inconsiderate, rude and sexually predatory beings. But I somehow manage to find two hidden gems in academical aspect.

1. The chorus features a to-infinitive ("I like to truck") after three uses of gerunds ("I like trucking"). Usually gerunds are for habits while to-infinitive is one time experience, but for this occasion the gerunds mean the act of trucking in general, while the to-infinitive emphasises the personal experience. This can mean the singers like to be on trucks and they also like being in control themselves.
2. Usual songs have simple forms, even other arch-form music would do little more than ABCBA. This song stands out in that it is a long arc of ABCACBDA, with Pamela Stephenson's stand-out presentation of the chrous in the middle, Rowan Atkinson's solo before and after Stephenson's core respectively; Mel Smith and Griff Rhys Jones' segment yet on the outside of them, and the all-men chorus at the start and end. A bridge segment ("from behind") was inserted before the final chorus to match the melody.

Another piece of gem found among British audience is that the video features a three-lane road, with the middle one open for vehicles of either direction to overtake if necessary. The joke in the second Atkinson solo is based on this. Now that British roads are either definitely dual or having singled down to two plain lanes, younger people (like me) probably have diffiuclties getting this joke. (A related discussion can be found here)

About a Comment by a Traditional Vietnamese Historian

大越史記引霍光論呂嘉不當

《大越史記》外紀卷之二，錄黎文休論呂嘉，謂其諫哀王嬰齊不爾，「則 (當) 用伊、霍故事」。黎公順口言之，或忘呂嘉實霍光以前人。夫南越之亡、呂嘉之殺，漢武正當盛年，霍光雖已弱冠，距其受帝之託、執漢之柄，尚有三、四十年也。

---

In the Vietnamese classic history book Đại Việt sử ký toàn thư, there's a quote of 14th century historian Lê Văn Hưu's comment on Lữ Gia, the last chancellor of Nam Việt state:

If he found his petition unheeded, he should have given up his place. Otherwise, he should have followed the example of Yi Yin and Huo Guang, to depose King Ai in favour of another son of King Minh, but sparing King Ai's life. Instead, he chose to commit regicide and ultimately led to the downfall of both the Nam Việt state and himself.

There's one error in the comment, though. Huo Guang was quoted as if he existed earlier than Lữ Gia, but in fact Huo's several decades younger. Huo's deposition of Liu He (Marquis of Haihun), which was partly the basis of the quote, was about four decades later than Lữ Gia's assassination of King Ai of Nam Việt.

The South Korean General Uses Warp

Among all those usually militaristic North Korean songs, "The General Uses Warp" (장군님 축지법 쓰신다) seems to be the most lampooned on, both because the anime-style music, as well as the reality-warping lyrics. Of course, almost no-one is mentioned by name, so you can theoretically insert anybody as the "Leader" (수령, which actually refers to Kim Il-Sung) or the succeeding "General" (장군, actually refers to Kim Jong-Il).

Still, two of the lampoons, I think, stand out of the others. The first one is actually commercially distributed, and features another lampoon on J.S. Bach, my favourite composer. I will talk about that in a later post.

Today's video is created by a South Korean, using the song to fit it on one of their former leaders, Chun Doo-hwan (전두환). He's the president of South Korea between 1980 and 1988, roughly equal to the period of Ronald Reagan in the U.S. and Margaret Thatcher in the U.K. As a general himself, he's known for his continuation of military dictatorship, though probably not as bad as his northern counterpart, whose economy was failing because the USSR was also falling apart.

The film extracted for the video was mostly news montages of President Chun embarking visits to other countries. Surprisingly I found them fitting very well to the music, with the combined effect of suggesting he had completed these visits by warping space-time (even though he'd still utilize planes and limos to reduce shock among the world, as apparently suggested). This seems an even better propaganda video than the original North Korean one, as neither Kim Il-Sung nor Kim Jong-Il appeared personally in the original video.

The video can be seen below:

On a further note, the black-and-white person at about 2:00 was Park Chung-hee (박정희), the famous yet assassinated president, as well as the father of the recently deposed lady president, Park Geun-hye (박근혜). Presumbly the elder Park was included here to fill the role of the Leader (수령).